The second movement from my piano concerto in B-major. I bet you can spot my jazz-background in there somewhere :-)
This piece deals with the essence of seeing: light. Ever since the days of Thomas Edison, people have enjoyed the benefits of incandescent light.
This is a rather filmic sounding piece. It's dedicated to all the geometric figures that aren't circular nor elliptic.
This piece is rather unorthodox when thinking from a jazz musicians perspective. It deals with the inner powers of gemstones and the Chrysoprase in particular.